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Free State of Jones
Free State of Jones   ( of 4)

Chicago Tribune: Michael Phillips
In so many Civil War-era photographs, a bone-weariness of spirit, coupled with a kind of faraway intensity, lurks in the soldiers' eyes. Plenty of actors can fake that sort of thing, but Matthew McConaughey really does have it. He looks right and convincing in a period drama such as "Free State of Jones," the historical biography, equal parts intrigue and frustration, written and directed by Gary Ross. more
Independence Day: Resurgence
Independence Day: Resurgence   ( of 4)

Chicago Tribune: Michael Phillips
From the metallic shell of the 1996 smash "Independence Day," director Roland Emmerich has pulled a seriously lousy sequel, dripping with alien goo and incoherence. more
Independence Day: Resurgence 3D
Independence Day: Resurgence 3D   ( of 4)

Chicago Tribune: Michael Phillips
From the metallic shell of the 1996 smash "Independence Day," director Roland Emmerich has pulled a seriously lousy sequel, dripping with alien goo and incoherence. more
Independence Day: Resurgence -- An IMAX 3D Experience
Independence Day: Resurgence -- An IMAX 3D Experience   ( of 4)

Chicago Tribune: Michael Phillips
From the metallic shell of the 1996 smash "Independence Day," director Roland Emmerich has pulled a seriously lousy sequel, dripping with alien goo and incoherence. more
Independence Day: Resurgence L'Expérience IMAX 3D
Independence Day: Resurgence L'Expérience IMAX 3D   ( of 4)

Chicago Tribune: Michael Phillips
From the metallic shell of the 1996 smash "Independence Day," director Roland Emmerich has pulled a seriously lousy sequel, dripping with alien goo and incoherence. more
Le démon de néon
Le démon de néon   ( of 4)

Chicago Tribune: Michael O'Sullivan
The headlines generated by last month's premiere of "The Neon Demon" at Cannes -- virtually all of which singled out the film's violence, cannibalism and lesbian necrophilia -- were not sufficient to crush all hope that filmmaker Nicolas Winding Refn had returned to the mastery he displayed in his breakout film, "Drive." more
The Neon Demon
The Neon Demon   ( of 4)

Chicago Tribune: Michael O'Sullivan
The headlines generated by last month's premiere of "The Neon Demon" at Cannes -- virtually all of which singled out the film's violence, cannibalism and lesbian necrophilia -- were not sufficient to crush all hope that filmmaker Nicolas Winding Refn had returned to the mastery he displayed in his breakout film, "Drive." more
The Shallows
The Shallows   ( of 4)

Chicago Tribune: Michael Phillips
Shot in a creamy, sunny style suggesting a Sports Illustrated swimsuit-issue video shoot gone wrong, "The Shallows" belongs almost entirely to Blake Lively, who plays Nancy, a resourceful medical student from Texas vacationing in Mexico with a purpose. Years ago her mother, a recent casualty of cancer, conceived her on the very beach (the "secret beach," everyone keeps calling it) where the doctor-in-training has brought her surfboard. There is a great white shark in the area, however, feeding on a dead whale. So the secret beach isn't such a good place to surf after all, and the antagonist is starring in its own movie called "Finding Lively." more
Central Intelligence
Central Intelligence   ( of 4)

Chicago Tribune: Colin Covert
The arithmetic of comedy is not that difficult. more
Finding Dory
Finding Dory   ( of 4)

Chicago Tribune: Michael Phillips
Childhood and, in fact, the very act of being human involves a certain level of loneliness. The great news is, you can make money off it. For close to 80 years, if you go by Disney's "Snow White and the Seven Dwarfs" making history in 1937, all sorts and achievement levels of feature animation have preyed upon the fears, insecurities and isolating circumstances of growing up. The best Pixar features, like those pre- and post-digital from Pixar's parent company, Disney, have exploited that loneliness brilliantly, and the lesser Pixars have tried to do the same. more
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